Carl Larsson
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Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
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Nicolas Lancret
The Seat of Justice in the Parlement of Paris (1723) (mk05)
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ID: 20697

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Nicolas Lancret The Seat of Justice in the Parlement of Paris (1723) (mk05)


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Nicolas Lancret

French 1690-1743 Nicolas Lancret (22 January 1690 ?C 14 September 1743), French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans. His first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave d'Ulin for Gillot, whose pupil Watteau had been. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author. Lancret's work cannot now, however, be taken for that of Watteau, for both in drawing and in painting his touch, although intelligent, is dry, hard and wanting in that quality which distinguished his great model; these characteristics are due possibly in part to the fact that he had been for some time in training under an engraver. The number of his paintings (of which over eighty have been engraved) is immense; he executed a few portraits and attempted historical composition, but his favorite subjects were balls, fairs, village weddings, etc. The British Museum possesses an admirable series of studies by Lancret in red chalk, and the National Gallery, London, shows four paintings--the "Four Ages of Man" (engraved by Desplaces and l'Armessin), cited by d'Argenville amongst the principal works of Lancret. In 1719 he was received as Academician, and became councillor in 1735; in 1741 he married a grandchild of Boursault, author of Aesop at Court.  Related Paintings of Nicolas Lancret :. | Garden Party | The Bird Cage | The Swing (mk08) | Fete in a Wood | Luncheon Party |
Related Artists:
Salomon Gessner
Swiss Painter, 1730-1788,a bookseller's son, was apprenticed to the bookseller Spener in Berlin. Giving up this employment, he lived for a time by painting and engraving, for which he had a considerable talent. In 1750 he settled in Zurich, continuing to live by painting, including painting on porcelain. He began to write idylls in poetic prose, beginning with Daphnis (1754). His Idyllen (1756) achieved a nation-wide success. In Der Tod Abels (1758) he attempted an epic in prose, which was followed by two plays (Schaferspiele), two stories, including Der erste Schiffer, and a few more idylls, Neue Idyllen (1772). In his idylls, Geßner, who is indebted to Theocritus and Virgil, creates an idealized, orderly, almost horticultural state of nature, from which everything rough and craggy has been eliminated; his shepherds are similarly untouched by the ruder aspects of country life. His work embodies the city-dweller's longing for a nature which he does not know, and this explains its instant popularity. W. Raabe uses Gebner's Idyllen, the publication of which coincided with the outbreak of the Seven Years War
Ettore Tito
(17 December 1859-26 June 1941) was an Italian artist particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region. He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915 Panama CPacific International Exposition in San Francisco. In 1926 he was made a member of the Royal Academy of Italy. Tito was born in Castellammare di Stabia in the province of Naples and died in Venice, the city which was his home for most of his life.
Arnold Houbraken
(28 March 1660 - 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of artists from the Dutch Golden Age. He had ten children. His son Jacobus Houbraken (1698-1780) was an engraver of portraits and book illustrations, including books by his father. His daughter Antonina Houbraken also became an engraver for an Amsterdam publisher, and is known today for her embellishment of cityscapes and buildings with animals and people. Houbraken was sent first to learn threadtwisting from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes.






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